I - I - I - I - IV - IV - I - I - V - IV - I - I
Also known as the twelve-bar blues.
The harmonic skeleton under an enormous share of blues, early rock and roll, and jazz standards. It's the same I-IV-V vocabulary as the three-chord trick, arranged over twelve bars: four bars of the tonic, two of the subdominant, two more of the tonic, then a turn through the dominant and subdominant on the way home. Blues musicians usually play all three chords as dominant sevenths, which is what gives the progression its bite.